
Photo: Marlena Miller
With a background in both Industrial Design and Sculpture, Simone Drucker is an artist/designer
who offers a multi-disciplined approach towards the design of spaces and environmental elements.
While studying I.D. at Rhode Island School of Design, she became fascinated with the precision
of industrial manufacturing techniques as a way to influence the production of art. This influence
is present in her conceptual art and furniture pieces, and she has taken it a step further into
designing spaces and environments, focusing on tight design and precise construction, striving for
visual and multi-sensory experiences that are more complex the closer you look.
Simone has worked on projects spanning a variety of mediums, applications, and international
Simone has worked on projects spanning a variety of mediums, applications, and international
clients. Her education was immediately followed by a studio internship with international artist and
designer, Joep Van Lieshout, in Rotterdam, Netherlands. In 2006, she was Recognized by
34 Magazine for the design of the “Hammock Lounge,” an environment built as a giant hammock
for a social gathering space. She has since worked in the areas of product design, event design,
retail branding and merchandising, and interior design, to name a few. She currently resides in
Santa Monica, California, with a private art studio.
Simone is currently available for consulting in the areas of:
- Environmental Design & Graphics
- Industrial Design
- Event Design & Space Planning
- Retail Concept and Exhibit Design
She is also seeking clients interested in custom art/installations, please see Studio
page for more details.
Influences
The following artists and designers have been of great inspiration to me over the years:
Lee Bontecou Providence, Rhode Island, 1931

Lee Bontecou is one of the most interesting and brilliant artists of our day. Her mediums range from pencil drawings,
to metal, canvas, and mixed media paintings and sculptures. One thing holds true for all of her work: the irresistably
convincing mastery of form. Her drawings seem to jump right off the paper; her 3D paintings, with multi-faceted planes
of canvas in the 60's begged for a reconsideration of how art is formatted and created. Her work is also achingly
complex, and her mastery of materials is evident in every piece. I was literally brought to tears when I saw a
retrospective of her work at the MOMA in New York City in 2004.

Tord Boontje Eschende, Netherlands 1968

Tord Boontje is a Dutch Artist and desiger who's work ranges from furniture and product
design to sculptural installations and more. I have always admired his uniquely gorgeous
aesthetic, literal nature imagery, and strong color pallete. Boontje is an internationally
recognized designer, as well as faculty at the Royal Academy of Art where he also studied
Industrial Design.
"when I was little I wanted to be a forester, it was my big dream,
to be in the forest all day long, look after all the animals. then for
to be in the forest all day long, look after all the animals. then for
a while was very interested in space, physics and science. I was
probably 15 when I really knew I wanted to go to art school."
-Tord Boontje
His gorgeous website is here: http://www.tordboontje.com/

Charles & Ray Eames Saint Louis, MO 1907; Sacramento, CA 1912

Charles and Ray Eames are exceptional in ways that have been admired and echoed throughout the world of modern
design during and ever since the culmination of their career in the 70's. Their work is extremely prolific and
well-known from their experimental case-study house, to their still highly-coveted furniture lines, and the eclectic, yet
refined aesthetic with which they approached their interior design. I have always seen them as the ultimate industrial
designers, creating objects and environments that are nearly perfect in their balance of form and function.
"The Eameses embraced the era's visionary concept of modern design as an agent of social change, elevating it to a
national agenda. Their evolution from furniture designers to cultural ambassadors demonstrated their boundless talents
and the overlap of their interests with those of their country. In a rare era of shared objectives, the Eameses partnered
with the federal government and the country's top businesses to lead the charge to modernize postwar America."
From the Library of Congress Exhibit "Charles & ray Eames."
The Eames' legacy is preserved by the Eames Foundation.
